DeEzye Prod.
FICTION
LEECH
This was a great experience as this was the first short film I sound-edited, composed, and recorded. However, I wish I varied the main melody more, but once I heard it on Archive 81, I couldn’t unhear it in the film. Also, I had more original soundtracks, although the editor decided not to keep these in (this decision was made at the last minute without consultation).
What I learnt:
Collaborate with the editor closely throughout
Always monitor audio
Always set 1 channel to auto for safety (ensure you erase in Post)
Set 1 channel between -12 & 0dB
When mixing: overall mix level should be 10dB to -14dB, dialogue -12dB to -15dB, music -18dB to -22dB, & sound effects should be -10dB to -20dB
ECHOES
My involvement in the film “ECHOES” extended beyond my primary roles as guitarist, musical composer, film recordist, and sound designer. I created a haunting soundtrack that adapted to the film’s shifting tone, recording guitar with a condenser microphone to achieve an authentic and immersive sound. I also contributed to various production tasks, including operating a drone for aerial shots, assisting with equipment and camera advice, location scouting, providing scripts, transporting a child actor, and supporting the crew logistically. As a sound designer, I addressed challenges such as noise pollution by creatively manipulating audio to enhance the film’s VHS aesthetic. Overall, the experience strengthened my understanding of collaborative filmmaking and the relationship between sound and image.
All That We Hide
For the short film “All That We Hide”, I worked as an on-set producer/manager while also contributing to sound recording, sound design, and post-production audio. In my production role, I helped coordinate elements of the shoot on set, ensuring the production ran smoothly by assisting with organisation, communication between crew members, and managing practical logistics during filming.
Alongside these responsibilities, I captured dialogue and ambient sound on set and later worked in post-production to develop the film’s soundscape, shaping audio to support the tone and tension of the narrative. This involved editing and syncing sound to picture, as well as designing subtle atmospheric elements to enhance the emotional impact of the film.
Working on “All That We Hide” allowed me to develop valuable skills in production coordination, field audio recording, sound design, and post-production workflow. I also strengthened my ability to manage on-set responsibilities, problem-solve under pressure, and collaborate effectively with directors and crew members.
Those Who Pry
Last year, I assisted with live sound recording and music composition for the film “Those Who Pry.” My role involved helping capture on-set audio and contributing to the development of the film’s musical elements to support its tone and atmosphere.
Through this experience, I strengthened my skills in field sound recording, audio equipment setup, and music composition. Regarding music composition, I composed short song samples to understand the tone of the music. Due to the dark humour genre, it was hard to create music suiting the form. However, I think I achieved a soundtrack that suits the melancholic and tense atmosphere.
Non-Fiction
Under The Garments
For my documentary “Under the Garments,” I worked as the Director and Production Designer, overseeing both the creative vision and the visual presentation of the film. The documentary explores the social and environmental impacts of fast fashion, combining interviews, narration, statistics, and visual storytelling to communicate its message effectively.
My responsibilities included developing the concept, planning the documentary structure, organising interviews, coordinating the production process, and shaping the visual style of the film. I worked closely with the production team to ensure the narrative, cinematography, and sound elements aligned with the film’s themes.
Through this project, I developed key skills in documentary directing, production planning, visual storytelling, team coordination, and creative leadership. The production also strengthened my ability to manage a team, organise shoots, and guide the project from concept through to final edit.
Overall, Under the Garments stands as a strong example of effective production management and teamwork, where clear communication, collaboration, and shared creative goals enabled the team to successfully deliver a meaningful documentary.
Save Lizard Rock
For the Lizard Rock documentary, I contributed to developing a community-focused film examining the proposed development of bushland on Sydney’s Northern Beaches and its environmental and cultural implications. My role involved researching the issue, coordinating interviews with local stakeholders, and planning documentary content that clearly and responsibly communicated community concerns.
During the production process, I honed skills in documentary research, interview preparation/interviewing, client communication, and story development for socially engaged filmmaking. I also strengthened my ability to organise shoots, engage with community voices, and approach sensitive environmental and cultural topics with ethical awareness all by myself.
This project further developed my understanding of documentary storytelling, community engagement, and investigative production processes, while reinforcing the importance of responsible, well-researched filmmaking, especially in government matters.
In Motion
This was an individually authored creative documentary assessment.
I wanted to contrast motion in nature with motion in humanity to create metaphors and symbols of life. For example, life is a never-ending stream of motion; thus, without motion, humanity begins to collapse, as does nature. I achieved these juxtapositions by alternating between shots of nature and those of humanity (for the most part).
I also remembered that the sound had to be similar and represent the previous shot in another auditory way. For example, water sounds contrasted with traffic. In relation to my previous point, I wanted to use juxtapositions to alter people’s perspectives on humanity and make them realise that nature reflects us as we are merely nature itself. The main way I reframe people’s perspectives is through visual contrast, similar sounds, and symbolism to create an engaging narrative.
“In Motion” featured a soundtrack that I created, curated and produced one week prior to starting this documentary unit. I had no visual stimulus at the time of making it. However, I knew that it would come in handy. I have never created anything like this previously, and it features instruments such as string ensembles, piano and guitar. I incorporated this track as I believe it evokes an emotional and meditative tone. The strong chords also provided an excellent opportunity for cutting scenes.
Music
DeEzye Music
Music is my daily morning meditation: a raw expression of my inner world. Blending Lo-fi, Boom-Bap, Hip-Hop, and experimental sounds, I craft immersive beats that speak without words. Every track reflects emotion, rhythm, and energy, inviting you to vibe, reflect, and escape.
I create lo-fi and boom-bap music that blends relaxed, atmospheric textures with classic hip-hop rhythms. My work often incorporates soulful samples, warm vinyl-style textures, and laid-back drum patterns to create immersive soundscapes suited for reflection, studying, or relaxation. By producing this music, I have developed skills in music production, sampling, beat-making, sound design, and mixing, using digital audio workstations to shape a distinctive, nostalgic sonic style.
Sounds Like:
Alchemist
Avalanches
Mac Miller
The Spillage
4th Album
Personally, I am extremely happy with where this album stands, and I feel that it’s cohesive and suits a wide range of vibes. I can definitely envision people playing this album over family dinner, while studying, or on their commute to work.
I also believe that the mixing and transitions from start to finish flow seamlessly. It also demonstrates my versatile audio production skills using Logic Pro.
Equipment
Equipment List
Audio:
DJI Mic Mini - Full Kit (charger, 2x mics, receiver)
Shure SM7B Mic
BOYA BY-BM606OL Shotgun Mic
Microphone Soundproof Cover & Stand
Rubix 44 Interface & Focusrite Scarlett 2i2
Soundproof curtains
4X Pig Hog XLR & TRX Cables (long & short)
Monitor Speakers & Audio Technica Headphones
Jazz Guitar, Resonator Guitar & Bass Guitar
Keylab 49 & Akai MPK-mini MK3
MPC Akai One Plus
More Sound Equipment Available If Needed
Camera/Videography:
EOS 500D Photography Camera + Tripod + Monopod
GoPro Hero 12 Black
Gopro Accessories (i.e. head mount, waterproof handle/housing)
DJI Osmo SE Pocket Gimbal
Iphone 15 Pro
Available To Me:
FX6 (including compass tripod, DJI RS4 gimbal, customisable body kit, 2.8 24-70mm lens)
Sony ZV-E1 (1.8 24-70mm lens, tripod, monitor, dummy battery, full body kit)
Macquarie University Tech Store
Social Media
DeEzye Instagram
I use my account as a side hobby, and it helps me hone my crafts. Occasionally, I will create a morning routine video in sync with the music I created that morning. It’s a great way for me to demonstrate my skills in a different, more casual format and to use as a music and film portfolio.
Contact
Interested in working together?